| Audience affirmation and the labour of professional wrestling B Chow, E Laine Performance Research 19 (2), 44-53, 2014 | 41 | 2014 |
| Performance and professional wrestling B Chow Routledge, 2017 | 38 | 2017 |
| Work and shoot: Professional wrestling and embodied politics BDV Chow TDR/The Drama Review 58 (2), 72-86, 2014 | 38 | 2014 |
| Introduction: Hamlet doesn’t blade: Professional wrestling, theatre, and performance B Chow, E Laine, C Warden Performance and professional wrestling, 11-16, 2016 | 32 | 2016 |
| Parkour and the critique of ideology: Turn-vaulting the fortresses of the city BDV Chow Journal of Dance & Somatic Practices 2 (2), 143-154, 2010 | 27 | 2010 |
| A Professional Body: Remembering, repeating and working out masculinities in fin-de-siècle physical culture BDV Chow Performance Research 20 (5), 30-41, 2015 | 19 | 2015 |
| Žižek and performance B Chow, A Mangold Palgrave Macmillan, 2014 | 15 | 2014 |
| Here is a Story For Me: Representation and Visibility in Miss Saigon and The Orphan of Zhao BDV Chow Contemporary Theatre Review 24 (4), 507-516, 2014 | 15 | 2014 |
| Working Loose C Warden, B Chow, E Laine TDR (1988-) 62 (2), 201-215, 2018 | 12 | 2018 |
| An actor manages: actor training and managerial ideology BDV Chow Theatre, Dance and Performance Training 5 (2), 131-143, 2014 | 11 | 2014 |
| The tickling object: On Žižek and comedy B Chow Žižek and performance, 224-235, 2014 | 10 | 2014 |
| Muscle Memory: Re-enacting the fin-de-siècle Strongman in Pro Wrestling B Chow Performance and Professional Wrestling, 153-163, 2016 | 8 | 2016 |
| Feeling in Counterpoint BDV Chow Theatre Journal 70 (3), 327-347, 2018 | 7 | 2018 |
| Parterre: Olympic Wrestling, National Identities, and the Theatre of Agonism BDV Chow Performing Antagonism: Theatre, Performance & Radical Democracy, 61-79, 2017 | 7 | 2017 |
| Situations, Happenings, Gatherings, Laughter: emergent British stand-up comedy in sociopolitical context BDV Chow Theatre Symposium 16 (1), 121-133, 2008 | 7 | 2008 |
| Between antagonism and eros: the feud as couple form and Netflix’s GLOW B Chow, E Laine Women & Performance: a journal of feminist theory 29 (3), 218-234, 2019 | 6 | 2019 |
| A Constellation of Imagined Theatres: Technology and Performance D Sack, C Grobe, M Arjomand, BDV Chow, N Alvarez, JY Kim, A Hampton, ... theatre journal, 379-403, 2016 | 6 | 2016 |
| Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series B Chow Lateral 6 (1), 2017 | 5 | 2017 |
| Two Dogs and a Maid: Theatricality, Visibility, and the Royal Shakespeare Company’s The Orphan of Zhao B Chow Broderick Chow 19, 2012 | 4 | 2012 |
| Expanding boundaries: borders, mobilities and the future of Europe-Africa relations JP Laine, I Moyo, CC Nshimbi Routledge, 2020 | 3* | 2020 |
Eero LaineAssociate Professor and Chair of Theatre and Dance, University at BuffaloVerified email at buffalo.edu
