| Projecting the prison: The depiction of the uncanny in The Shawshank Redemption M Fiddler Crime, Media, Culture 3 (2), 192-206, 2007 | 81 | 2007 |
| Playing Funny Games in The Last House on the Left: The uncanny and the ‘home invasion’ genre M Fiddler Crime, Media, Culture 9 (3), 281-299, 2013 | 47 | 2013 |
| Ghosts of other stories: A synthesis of hauntology, crime and space M Fiddler Crime, Media, Culture 15 (3), 463-477, 2019 | 41 | 2019 |
| Ghost criminology: a (spirit) guide M Fiddler, T Kindynis, T Linnemann Ghost Criminology, 1-32, 2022 | 30* | 2022 |
| Four walls and what lies within: the meaning of space and place in prisons M Fiddler Prison Service Journal 187, 3-8, 2010 | 23 | 2010 |
| A ‘system of light before being a figure of stone’: The phantasmagoric prison M Fiddler Crime, Media, Culture 7 (1), 83-97, 2011 | 18 | 2011 |
| ‘Forget about all your taboos’: transgressive memory and Nazisploitation M Fiddler, S Banwell Studies in European Cinema 16 (2), 141-154, 2019 | 10 | 2019 |
| Sex and crime A Fanghanel SAGE Publications Ltd, 2020 | 9 | 2020 |
| The Penal Palimpsest: an exploration of prison spatiality M Fiddler Keele University, 2006 | 9 | 2006 |
| Ghost criminology: A framework for the discipline’s spectral turn M Fiddler, T Linnemann, T Kindynis The British Journal of Criminology 64 (1), 1-16, 2024 | 6 | 2024 |
| Spaces of observation and obscurity: cinematic prisons of light and dark M Fiddler Prison Service Journal 185, 8-12, 2009 | 6 | 2009 |
| 4. From Optograms to X-Rays: How to Conjure a Spectral Criminological Image M Fiddler Ghost Criminology, 110-132, 2022 | 5 | 2022 |
| Gendered viewing strategies: A critique of holocaust-related films that eroticize, monsterize and fetishize the female body S Banwell, M Fiddler Holocaust studies 24 (2), 150-171, 2018 | 5 | 2018 |
| When the prison no longer stands there: Donovan Wylie's photo project'The Maze' M Fiddler Prison Service Journal 199, 50-53, 2012 | 5 | 2012 |
| ‘Superstition will Add to its Horrors’: The Early American Penitentiary and its Gothic Shadow M Fiddler The Howard Journal of Criminal Justice 50 (5), 465-477, 2011 | 5 | 2011 |
| Cutting through the fourth wall: The violence of home invasion in Michael Haneke’s Funny Games M Fiddler Horror Studies 8 (1), 79-95, 2017 | 4 | 2017 |
| Phantom architecture: Jeremy Bentham's haunted and haunting panopticon M Fiddler Incarceration 3 (2), 26326663221101571, 2022 | 2 | 2022 |
| Panopticism M Fiddler The Routledge Companion to Criminological Theory and Concepts, 463-466, 2018 | 2 | 2018 |
| There’s no place like home: Encountering crime and criminality in representations of the domestic M Fiddler Routledge International Handbook of Visual Criminology, 540-552, 2017 | 2 | 2017 |
| Interview: Prisoner B M Fiddler Prison Service Journal 215, 37-41, 2014 | 2 | 2014 |
