| 'Most People Bring Their Own Spoons': THE ROOM's participatory audiences as comedy mediators R McCulloch Participations: journal of audience & reception studies 8 (2), 189-218, 2011 | 56 | 2011 |
| Of proprietors and poachers: Fandom as negotiated brand ownership V Crisp, J Hickman, S Janes, R McCulloch Participations 10 (1), 319-328, 2013 | 20 | 2013 |
| On toxic fan practices: A round-table W Proctor, B Kies, B Chin, K Larsen, R McCulloch, R Pande, M Stanfill Participations 15 (1), 24, 2018 | 14 | 2018 |
| Disney's Star Wars: Forces of Production, Promotion, and Reception W Proctor, R McCulloch University of Iowa Press, 2019 | 13 | 2019 |
| 'Watch like a grown up... Enjoy like a child': Exhibition, authenticity, and film audiences at the Prince Charles Cinema R McCulloch, V Crisp Participations: journal of audience & reception studies 13 (1), 188-217, 2016 | 13 | 2016 |
| Editorial Introduction--Exploring Imaginary Worlds: Audiences, fan cultures, and geographies of the imagination W Proctor, R McCulloch Participations: journal of audience & reception studies 13 (1), 479-487, 2016 | 10 | 2016 |
| Editorial Introduction--Exploring Imaginary Worlds: Audiences, fan cultures, and geographies of the imagination W Proctor, R McCulloch Participations: journal of audience & reception studies 13 (1), 479-487, 2016 | 10 | 2016 |
| Whistle While You Work: Branding, Critical Reception and Pixar's Production Culture R McCulloch Storytelling in the Media Convergence Age: Exploring Screen Narratives, 174-89, 2015 | 8 | 2015 |
| A Game of Moans R McCulloch Anti-Fandom: Dislike and Hate in the Digital Age, 227, 2019 | 7 | 2019 |
| Towards Infinity And Beyond Branding, Reputation, and the Critical Reception of Pixar Animation Studios R McCulloch University of East Anglia, 2013 | 4 | 2013 |
| Introduction:‘So bad it’s good’: aesthetics, reception, and beyond J MacDowell, R McCulloch Continuum 33 (6), 643-652, 2019 | 3 | 2019 |
| Introduction: from the House That George Built to the House of Mouse W Proctor, R McCulloch Disney's Star Wars: Forces of Production, Promotion and Reception, 1-20, 2019 | 3 | 2019 |
| Tied Up In Knots: Irony, Ambiguity, and the "Difficult" Pleasures of Fifty Shades of Grey R McCulloch Intensities: The Journal of Cult Media, 1-19, 2016 | 3 | 2016 |
| Against participation: Cinephilia, nostalgia and the pleasure of attending an “alternative” cinema space R McCulloch, V Crisp Live Cinema: Cultures, Economies, Aesthetics, London:: Bloomsbury, 153-66, 2017 | 2 | 2017 |
| 11. A Game of Moans R McCulloch Anti-Fandom, 227-248, 2019 | | 2019 |
| Against Participation: Cinephilia, Nostalgia, and the Pleasures of Attending an 'Alternative' Cinema Space R McCulloch, V Crisp Live Cinema: Cultures, Economies, Aesthetics, 153-166, 2017 | | 2017 |
| Book Reviews: Mad Men, Mad World: Sex, Politics, Style and the 1960s, Mad Men and Working Women: Feminist Perspectives on Historical Power, Resistance, and Otherness, Scenes … LF Donaldson, J Walters, D Johnston, B Smart, R McCulloch, M Allen, ... Critical Studies in Television 10 (1), 91-111, 2015 | | 2015 |
